The Photographers’ Gallery has recently opened a major exhibition exploring the rich history of food photography through 140 works; from noted luminaries including Martin Parr, Cindy Sherman, Ed Ruscha, Andy Warhol and Stephen Shore.
![BLAH](https://www.we-heart.com/upload-images/feastfortheeyessmall.jpg)
Weegee
Phillip J. Stazzone is on WPA and enjoys his favourite food as he’s heard that the Army doesn’t go in very strong for serving spaghetti, 1940
© Weegee/International Center of Photography
Set over two floors at the Soho gallery, the exhibition—composed around three themes—features everything from black and white silver gelatin prints and early experiments with colour processes to contemporary works; encompassing fine art and vernacular photography, commercial and scientific images, photojournalism and fashion.
Looking at a subject that will forever occupy the lives of the general public, and long been a photographed subject, co-curator Susan Bright comments: “food—and how it is photographed—defines how we live and how we value ourselves, and, at its very best, connects us to our dreams and desires.”
Specifically dissecting how food is represented and used in photographic practices—especially so in an age where the human races seems irreversibly obsessed with taking and sharing images of our own meals across social media—the pictures exhibited in Feast for the Eyes, The Story of Food in Photography evoke deep-seated questions and anxieties about issues such as wealth; poverty; consumption; appetite; tradition; gender; race; desire; pleasure; revulsion; and domesticity.
The first theme, entitled Still Life, traces food photography’s relationship to one of the most popular genres in painting; Around the Table is a nod to the rituals of what and with who we eat; whilst Playing with Food features photography infused with fun and irony.
Organised by the Aperture Foundation, New York, and curated by Susan Bright and Denise Wolff, Feast for the Eyes, The Story of Food in Photography is on display at The Photographers’ Gallery, London, until 9 February 2020.
![Ed Ruscha](https://www.we-heart.com/upload-images/feastfortheeyes2.jpg)
Ed Ruscha
Spam, 1961
© Ed Ruscha
Courtesy the artist and Gagosian Gallery
![Daniel Gordon](https://www.we-heart.com/upload-images/feastfortheeyes3.jpg)
Daniel Gordon
Pineapple and Shadow, 2011
© Daniel Gordon
Courtesy the artist and James Fuentes Gallery, New York
![Jo Ann Callis](https://www.we-heart.com/upload-images/feastfortheeyes4.jpg)
Jo Ann Callis
Untitled, 1994; from the series Forbidden Pleasures © Jo Ann Callis
Courtesy the artist and Rose Gallery, Santa Monica, California
![Grant Cornett](https://www.we-heart.com/upload-images/feastfortheeyes5.jpg)
Grant Cornett
Sexy Sliders, 2016 for Gather Journal, food styling by Janine Iversen
and prop styling by Maggie Ruggiero
© Grant Cornett Courtesy the artist
![Crisco, Proctor and Gamble, Cincinnati, 1949](https://www.we-heart.com/upload-images/feastfortheeyes6.jpg)
Photographer unknown
‘New Recipes for Good Eating’
Crisco, Proctor and Gamble, Cincinnati, 1949
![Joseph Maida](https://www.we-heart.com/upload-images/feastfortheeyes7.jpg)
Joseph Maida
#jelly #jello #fruity #fruto #thingsarequeer, October 26, 2014
Courtesy the artist
![Nobuyoshi Araki](https://www.we-heart.com/upload-images/feastfortheeyes8.jpg)
Nobuyoshi Araki
The Banquet, 1993
© Nobuyoshi Araki
Courtesy Taka Ishii Gallery, Tokyo
![The Faro Caudill Family Eating Dinner in Their Dugout, Pie Town, New Mexico, 1940](https://www.we-heart.com/upload-images/feastfortheeyes9.jpg)
Russell Lee
The Faro Caudill Family Eating Dinner in Their Dugout,
Pie Town, New Mexico, 1940
Courtesy The Library of Congress Prints and Photographs Division