The University of Bath’s Centre for Death and Society wouldn’t make many people’s dream list of places to work, but Dr John Troyer must like it – he’s the deputy director. The sociologist grew up with a funeral director father, and as such saw first-hand the many processes involved in preparing a corpse for burial, especially embalming techniques used for open casket ceremonies.
Deadness is an artistic investigation into death by Jordan Baseman, made up of three strands: slide projections with sound (Deadness), photographic (February 09 2013), and a film (The Last Walk). The first collection in collaboration with Dr Troyer focuses on embalming for portraiture, and the goal of the funeral director to give the deceased a sleeping look to suggest peace, regardless of the cause of death. The second centres on the wildfires in Tasmania last year, while the The Last Walk documents a seemingly innocent stroll in the woods by artist Stuart Brisley, which takes a decidedly macabre twist. The negative of this film was processed in a shed with buckets, and the rough image quality adds to the viewer’s discomfort. The three strands come together at Matt’s Gallery, London, 21st July.
Jordan Baseman, Deadness, 2013.
Still courtesy the artist and
Matt’s Gallery, London.
Jordan Baseman, Deadness, 2013.
Still courtesy the artist and
Matt’s Gallery, London.
Jordan Baseman, Deadness, 2013.
Still courtesy the artist and
Matt’s Gallery, London.
Jordan Baseman, The Last Walk, 2011.
Video still courtesy the artist and
Matt’s Gallery, London.
Jordan Baseman, Deadness, 2013.
Still courtesy the artist and
Matt’s Gallery, London.
